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SWEET SIXTEEN MOVIE 2016 XIAO YOU QIAO MU SHOWTIMES USA ARCHIVE

THE DATABASE OF ASSOCIATION RIDIM: LINKING DATA, IMAGES AND PARTNERSHIPS ORGANOLOGY AS METHODOLOGY TO FIND REALISTIC ELEMENTS: MUSICAL INSTRUMENTS IN A SWISS MARRIAGE ANNOUNCEMENT AND GLASS PANELS OF THE SIXTEENTH AND SEVENTEENTH CENTURY LYRE IN THE SKY WITH DIAMONDS: ABOUT THE SHAPE OF A GRECO-ROMAN MUSICAL CONSTELLATION THE SEDUCTIVE VOICE OF THE AULOS IN PLATOвЂ™S SYMPOSIUM: FROM THE DISMISSAL OF THE AULETRIS TO ALCIBIADESвЂ™ PRAISE OF SOCRATES-AULETES ж›ѕдѕЇд№™зј–й’џй“ж–‡дёж‰ЂдЅ“зЋ°дёе›Ѕдєєж—©жњџеѕ‹е¦е®ћи·µ (THE INSCRIPTION OF THE BELL CHIMES OF ZENG-HOU-YI RECORDS: THE EARLY APPLICATION PRACTICE OF TUNING) VISUAL REPRESENTATIONS OF JAZZ, 1915вЂ“1945 WALKUМ€RE OR WABBIT RICHARD AND/OR RANGO? SCRATCHING THE SURFACES OF MULTIPLE LAYERS OF MEDIATIZED WAGNER RECEPTIONД¬OLOR HARMONIES, MUSIC HARMONIES: NOTES ON AMERICAN SYNCHROMISM THE PIANO/FOUNTAIN ASSOCIATION: FROM FRANZ LISZT TO SALVADOR DALГЌ

SWEET SIXTEEN MOVIE 2016 XIAO YOU QIAO MU SHOWTIMES USA ARCHIVE

VIA FORAвЂ™S вЂњGALLERY OF CELEBRITIESвЂќ IN MUSICAL AMERICA (1915вЂ“1920)ДЄRTEFAKTI ART DГ‰COA: PRIMJERI IZ KNJIЕЅNICE I ARHIVA HRVATSKOGA GLAZBENOG ZAVODA U ZAGREBU (ART DECO ARTIFACTS: SAMPLES FROM THE LIBRARY AND ARCHIVE OF THE CROATIAN MUSIC INSTITUTE IN ZAGREB) THE PORTRAIT OF A VIOLIST AND A YOUNG LADY: SEEKING THEIR IDENTITY AND PATERNITY

IL CONCERTO DELLE MUSE NELLA CITTГЂ IDEALE: INDAGINI SUL PROGRAMMA ICONOGRAFICO DEL TEMPIETTO DEL PALAZZO DUCALE DI URBINO CON UNвЂ™IPOTESI DI RICOSTRUZIONE VIRTUALE (THE CONCERT OF THE MUSES IN THE IDEAL CITY: INVESTIGATIONS ON THE ICONOGRAPHIC PROGRAM OF THE TEMPIETTO OF THE PALAZZO DUCALE OF URBINO WITH A VIRTUAL RECONSTRUCTION HYPOTHESIS) IMAGES OF ANCIENT MUSIC IN JEAN -JACQUES BOISSARDвЂ™S WORKSДЄNTONIO CANOVA E LE MUSE: SCULTURA, TEMPERA E ALTRI MEZZI PER REINTERPRETARE LвЂ™ANTICHITГЂ (ANTONIO CANOVA AND THE MUSES: MARBLE, TEMPERA AND OTHER MEANS TO REINTERPRET ANTIQUITY) JOAN AND JOHN: HOW MIRГ“ SPONSORED THE MERCE CUNNINGHAM DANCE COMPANY IN SITGES IN 1966 MUZIДЊKI BIJENALE ZAGREB I SRPSKA MUZIДЊKA SCENA: JUGOSLOVENSKI PERIOD (MUSIC BIENNALE ZAGREB AND THE SERBIAN MUSIC SCENE: THE YUGOSLAV PERIOD) VOCAL MUSIC OF THE BURGENLAND CROATS: ON RESEARCH HISTORY AND THE IMPACT OF METHODOLOGY IDENTITY, RITUAL AND MATERIALITY OF BOURGEOIS POWER PERFORMANCE: OSKAR REINHARTвЂ™S CLUB ZUR GEDULD IN WINTERTHUR JEWISH VESTIGES ON THE BANKS OF THE DANUBE: SYNAGOGUE MUSIC IN вЂњPANNONIA вЂќ DURCHLAUCHT HABEN SELBST EINE HOHE STUFE DER AUSUМ€BENDEN KUNST ERSTIEGENвЂњ вЂ“ VERSUCH UМ€BER KOMPONIERENDE FUМ€RSTINNEN (Your High Princely Highness have Herself Climbed to a High Level of the Performing Arts) LADIES AND THE CONCERTINA IN VICTORIAN ENGLAND: SOME NOTES ON MANUFACTURERSвЂ™ MARKETING STRATEGIES ж°‘ж—Џйџід№ђе¦и§†й€дёзљ„йџід№ђзѕЋе¦й—®йў ( Music Aesthetics from the Ethnomusicological Perspectives) IMMIGRANT MUSIC JOURNALS IN THE UNITED STATES SLOVENIAN MODERNISMS SINCE 1918: EVASIVE IDEA(L)S OF THE CLASSICAL ZNAДЊAJ SRPSKOG KNJIЕЅEVNOG GLASNIKA (1901вЂ“1941) U ISTORIJI SRPSKE MUZIKE (THE IMPORTANCE OF SRPSKI KNJIZМЊEVNI GLASNIK (1901вЂ“1941) IN THE HISTORY OF SERBIAN MUSIC) REFLECTIONS ON HUGO RIEMANNвЂ™S MUSIK-LEXIKON AND HIS MUSIC HISTORIOGRAPHY THE EDITION OF MARCUS MEIBOMвЂ™S ARISTOXENI HARMONICORUM ELEMENTORUM LIBRI TRES AND ITS CONTRIBUTION TO THE KNOWLEDGE OF ANCIENT GREEK MUSIC THEORY IN THE SEVENTEENTH CENTURY THE USE OF THE GREEK NATIONAL ANTHEM IN CHOISYвЂ™S EXILE DU PATRE AND KASASSOGLOUвЂ™S FOUR PRELUDES FOR THE RETURN FROM THE FRONT IDEOLOGICAL SCHEMES AND NATIONAL PERSPECTIVES.

вЂњCROATNESSвЂќ IN MUSIC: SONGFULLY ITALIAN, SOLIDLY GERMAN, A LITTLE BIT вЂњORIENTALвЂќ, AND ABOVE ALL SLAVIC ANTONIO BALDASSARRE & TATJANA MARKOVIД† Introduction

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